AN IDEAL BLACK GIRL GOES SOLO.
In Conakry, a sprawling legion of Natu Camara’s adoring fans regard her as “the Tina Turner of Guinea.” In her music and during high-octane shows, the impassioned singer-songwriter substantiates the weighty nickname. In the early 2000s, Camara led West Africa’s first all-female hip-hop group, the Ideal Black Girls (IBG). Years after releasing Guinèya Moumonèra (It’s Not a Shame to Be a Woman) — a multiplatinum opus advocating for women’s rights — as a member of IBG, the dynamism of Camara’s musical evolution is revealed in Dimedi (“Child” in her native language, Susu), an inspirational solo debut underscoring the significance of children having positive role models. Singing in five languages, Dimedi showcases Camara’s unique blend of afro-rock, pop, and soul that speaks to the range of heroes influencing her individual sound: Miriam Makeba, Nina Simone, Mory Kante, Fela Kuti, and Baaba Maal.